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Inside this issue:Maggie Nicols: The veteran experimental vocalist discusses the trail she has blazed from 1960s jazz clubs through Spontaneous Music Ensemble and Feminist Improvising Group to her brand new debut solo album. By Louise GrayJames Spaulding: Over a nearly 70 year career with 100-odd album credits from Sun Ra to Bobby Hutcherson, the reedist has maintained his faith in the power of collective improvisation. By Howard MandelOSEES: With his label Castle Face releasing the ever shifting music of his primary project along with his collaborators and even archival recordings of The Fall, John Dwyer places himself at the centre of a psychedelic hurricane. By Dave SegalInvisible Jukebox: Femi × Made Kuti: The flame-keepers of Afrobeat test each other with a mystery record selectionAuthentically Plastic: The Ugandan DJ/producer majors in polyrhythmic dislocation. By Gloria KiconcoHolland Andrews: Phoning it in with the US vocalist/composer. By George GrellaJ Fisher: The Los Angeles polymath introduces his selves. By Joseph StannardMarcin Pietruszewski: Micro-sieving dataflows. By Emily BickUnlimited Editions: enmossedUnofficial Channels: Foxy DigitalisGlobal Ear: Our regular column continues to report on music in the time of pandemic. This month: the effect of Brexit and Covid-19 on gig and tour organisationsThe Inner Sleeve: Raven Chacon on New Red Order’s Never SettleEpiphanies: Adrian Sherwood gets a lesson in overload from Mark StewartPrint Run: New music books: inten